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1. HOODOO 2. LARKS' TONGUES IN ASPIC, PART ONE 3. A SCARCITY OF MIRACLES 4. LEVEL FIVE 5. ONE MORE RED NIGHTMARE 6. INTERLUDE 7. BANSHEE LEGS BELL HASSLE 8. THE TALKING DRUM 9. 21ST CENTURY SCHIZOID MAN 10. THE LIGHT OF DAY 1. RADICAL ACTION I/MELTDOWN 2. INTERLUDE 3. SAILOR'S TALE 4. THE LETTERS 5. THE COURT OF THE CRIMSON KING 6. STARLESS 7. EASY MONEY 8. PICTURES OF A CITY 9. SUITABLE GROUNDS FOR THE BLUES 10. THE CONSTRUKCTION OF LIGHT 11. LEVEL FIVE 1. LARKS' TONGUES IN ASPIC, PART TWO 2. EPITAPH 3. DEVIL DOGS OF TESSELLATION ROW 4. RED 5. BANSHEE LEGS BELL HASSLE 6. CIRKUS 7. RADICAL ACTION II 8. PICTURES OF A CITY 9. PEACE 10. LARKS' TONGUES IN ASPIC, PART ONE 11. EASY MONEY 12. 21ST CENTURY SCHIZOID MAN 1. CIRKUS 2. STARLESS 3. THE LETTERS 4. HEROES 5. INTERLUDE 6. LAST SKIRMISH 7. INDISCIPLINE 8. DAWN SONG 9. PRINCE RUPERT'S LAMENT 10. THE ERRORS 11. FALLEN ANGEL 12. NEUROTICA 13. ISLANDS 1. THE COURT OF THE CRIMSON KING 2. SUITABLE GROUNDS FOR THE BLUES 3. PICTURES OF A CITY 4. MELTDOWN 5. BOLERO 6. RADICAL ACTION 7. ONE MORE RED NIGHTMARE 8. MOONCHILD 9. EASY MONEY 10. LEVEL FIVE 11. PEACE 12. CADENCE AND CASCADE 13. BREATHLESS |
 | | Descripción: | Artwork [Package Artwork]: Bearhand Design Studio, Bass [Basses], Chapman Stick [Stick]: Tony Levin, Compiled By [Assembled By]: Alex R. Mundy, Compiled By, Mastered By: David Singleton, Cover [Cover Paintings], Painting [Cover Paintings]: Francesca Sundsten, Design [Booklet Design]: Hugh O'Donnell, Drums: Gavin Harrison, Drums: Pat Mastelotto, Drums: William Rieflin, Drums, Keyboards: Jeremy Stacey, Engineer [Live Sound Engineer]: Chris Porter, Engineer [Live Sound Engineer]: Ian Bond, Engineer [Live Sound Engineer]: Mark Vreeken, Guitar, Keyboards: Robert Fripp, Guitar, Voice: Jakko M. Jakszyk, Keyboards: Chris Gibson (10), Keyboards: William Rieflin, Management: DGM Ltd, Mixed By: Jakko M. Jakszyk, Mixed By: Robert Fripp, Photography By [P.10, 14]: Dean Stockings, Photography By [P.12-13]: Spike Mafford, Photography By [P.17, 23]: David Singleton, Photography By [P.18-19]: Claudia Hahn, Photography By [P.3, 4 (Jakko), 5, 6, 9, 15, 21]: Tony Levin, Photography By [P.4 (Mel, Tony)]: Scarlet Page, Saxophone [Saxes], Flute: Mel Collins, Written-By: Gavin Harrison, Written-By: Jakko M. Jakszyk, Written-By: Mel Collins, Written-By: Pat Mastelotto, Written-By: Robert Fripp, Written-By: Tony Levin, Written-By: William Rieflin, Written-By: Bill Bruford, Written-By: David Cross, Written-By: Jamie Muir, Written-By: John Wetton, Written-By: Robert Fripp, Written-By: Jakko M. Jakszyk, Written-By: Mel Collins, Written-By: Robert Fripp, Written-By: Adrian Belew, Written-By: Pat Mastelotto, Written-By: Robert Fripp, Written-By: Trey Gunn, Written-By: John Wetton, Written-By: Robert Fripp, Written-By: Robert Fripp, Written-By: Gavin Harrison, Written-By: Pat Mastelotto, Written-By: William Rieflin, Written-By: Bill Bruford, Written-By: David Cross, Written-By: Jamie Muir, Written-By: John Wetton, Written-By: Robert Fripp, Written-By: Greg Lake, Written-By: Ian McDonald, Written-By: Michael Giles, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Jakko M. Jakszyk, Written-By: Mel Collins, Written-By: Robert Fripp, Written-By [Meltdown]: Robert Fripp, Written-By [Radical Action I]: Jakko M. Jakszyk, Written-By [Radical Action I]: Robert Fripp, Written-By: Robert Fripp, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Ian McDonald, Written-By: Peter Sinfield, Written-By: Bill Bruford, Written-By: David Cross, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Jakko M. Jakszyk, Written-By: Robert Fripp, Written-By: Adrian Belew, Written-By: Pat Mastelotto, Written-By: Robert Fripp, Written-By: Trey Gunn, Written-By: Adrian Belew, Written-By: Pat Mastelotto, Written-By: Robert Fripp, Written-By: Trey Gunn, Written-By: Robert Fripp, Written-By: Greg Lake, Written-By: Ian McDonald, Written-By: Michael Giles, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Gavin Harrison, Written-By: Pat Mastelotto, Written-By: William Rieflin, Written-By: Robert Fripp, Written-By: Gavin Harrison, Written-By: Pat Mastelotto, Written-By: William Rieflin, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Bill Bruford, Written-By: David Cross, Written-By: Jamie Muir, Written-By: John Wetton, Written-By: Robert Fripp, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: Greg Lake, Written-By: Ian McDonald, Written-By: Michael Giles, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Bill Bruford, Written-By: David Cross, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Brian Eno, Written-By: David Bowie, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Adrian Belew, Written-By: Bill Bruford, Written-By: Robert Fripp, Written-By: Tony Levin, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Gavin Harrison, Written-By: Jakko M. Jakszyk, Written-By: Robert Fripp, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: Adrian Belew, Written-By: Bill Bruford, Written-By: Robert Fripp, Written-By: Tony Levin, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Ian McDonald, Written-By: Peter Sinfield, Written-By: Jakko M. Jakszyk, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Jakko M. Jakszyk, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Robert Fripp, Written-By: John Wetton, Written-By: Robert Fripp, Written-By: Greg Lake, Written-By: Ian McDonald, Written-By: Michael Giles, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: John Wetton, Written-By: Richard Palmer-James, Written-By: Robert Fripp, Written-By: Adrian Belew, Written-By: Pat Mastelotto, Written-By: Robert Fripp, Written-By: Trey Gunn, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Peter Sinfield, Written-By: Robert Fripp, Written-By: Robert Fripp, Labelcode KCXP5007 (KCXP5007, KCXP5007), Phonographic Copyright (p) Robert Fripp, Copyright (c) Robert Fripp, Glass Mastered At TAKT, Glass Mastered At TAKT, Glass Mastered At TAKT, Glass Mastered At TAKT, Glass Mastered At TAKT« Audio Diary 2014 - 2018 » en CD recoge un auténtico diario sonoro de King Crimson en directo durante una etapa tardía pero muy creativa de su trayectoria, abarcando varias giras entre 2014 y 2018. Más que un simple recopilatorio de éxitos, este disco ofrece un retrato en movimiento del grupo sobre el escenario, mostrando cómo evolucionan los repertorios, los arreglos y las formaciones a lo largo de distintos conciertos, ciudades y años. El oyente puede apreciar cómo las composiciones clásicas y el material más reciente se reinterpretan y transforman con el tiempo, reflejando la voluntad constante de King Crimson de reinventarse en directo. El sonido es cercano, contundente y envolvente, transmitiendo la intensidad y la atmósfera de los conciertos actuales de la banda.
El núcleo de esta edición reside en el diálogo entre unas guitarras complejas, secciones rítmicas muy sólidas y densas capas de teclados y vientos, interpretados con la precisión e intensidad que han convertido a King Crimson en un pilar del rock progresivo. « Audio Diary 2014 - 2018 » resultará especialmente atractivo para los seguidores que deseen seguir de cerca la evolución de la etapa moderna del grupo en vivo, pero también funciona como una poderosa carta de presentación para quienes quieran descubrir la faceta escénica de King Crimson más allá de sus álbumes de estudio más conocidos.
King Crimson, formado a finales de los años sesenta bajo el liderazgo del guitarrista Robert Fripp, es uno de los nombres más influyentes y perdurables del rock progresivo. Sus primeros discos ayudaron a definir los límites del género, y las sucesivas encarnaciones de la banda fueron desplazando su sonido desde lo sinfónico y experimental hacia terrenos más angulosos y rítmicamente complejos, anticipando elementos del rock alternativo y del art rock. Su continua vocación de innovación, los frecuentes cambios de enfoque estilístico y una reputación cimentada en potentes actuaciones en directo les han otorgado un estatus legendario e inspirado a varias generaciones de músicos.
El CD está editado por DGM (Discipline Global Mobile), un sello estrechamente vinculado a King Crimson y conocido por su filosofía centrada en el respeto al artista. DGM se ha ganado prestigio gracias a lanzamientos de archivo cuidadosamente preparados, grabaciones en vivo de alta calidad y una documentación muy detallada de la historia del grupo. El sello se caracteriza por poner a disposición del público material raro o inédito y por mantener altos estándares en sonido y presentación. Con « Audio Diary 2014 - 2018 », DGM reafirma su objetivo de ofrecer una visión amplia y cuidadosamente producida de la obra de King Crimson, permitiendo a los oyentes adentrarse en la fase contemporánea de una de las bandas más singulares e influyentes del rock. |  | | N° de fabricante: |
KCXP5007 |
 | Seguridad del producto
Persona responsable para la UE:
Galileo Music Communication GmbH Dachauer Str. 5-7, 82256 F?rstenfeldbruck, DE
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